Completed in collaboration with Codex
- Creator
- Pnuts_Big
- Reviews
- -
- Added
- Sep 27, 2026
Public Steam disclosure research 25,508 disclosures tracked
Search developers’ Steam disclosures, compare classified AI use across games, and follow recorded changes. This index adds cross-game classifications and statistics to statements published on individual store pages.
Code help, debugging and other development work.
Capsule art, trailers and promotional material.
Pre-made art, audio, writing and other game assets.
Interactive or runtime AI features disclosed by the developer.
Groups reflect automatic analysis of public disclosures; mature records are excluded. These counts do not measure AI use across all of Steam. Missing or unclear statements cannot establish whether a game uses AI.
Completed in collaboration with Codex
Some icons and character sprites were created with the assistance of generative AI, then edited and refined by hand. The remaining artwork consists of pre-made assets and hand-drawn work.
Some promotional images on the Steam store are made with artificial intelligence; no artificial intelligence-made art assets are used in the game.
・Some of the posters were created using generative AI (ChatGPT and Gemini). ・Some of the voices were created using generative AI (Ondoku). ・The translations were created using generative AI (Gemini).
A handful of key art pieces, concept illustrations, and store-page graphics were generated with AI image-generation software to help communicate. This use of AI is limited strictly to marketing materials.
AI was used for assets, code and some sounds
Generative AI was used as a supporting tool for selected elements of the artwork. Most elements were extensively modified and adapted through substantial hands-on work, including repainting, rigging, and animation.
AI tools were used in the creation of every part of this game, including art, text, localization, audio and code.
Some in-game artwork, such as fish, poles and quest art, is made with the help of AI image tools, then selected and edited by our team. Some forum replies from in-game characters are AI-assisted and reviewed before they are posted. Nothing is generated live during gameplay.
Generated AI content was only used partly in the codebase logic development of Tarpit.
This game uses generative AI tools for the creation of its in-game graphics.
Some character art was created with the assistance of AI
部分代码和美术使用了AI生成,并精修过
code and translation.
I'm a solo developer, not an artist or musician. So I used AI to help create some of the artwork and music for this game. Everything else (code, game system, UI design, mission design, story planning, and overall creative direction) is entirely my own work. I also reused some hand-drawn pixel art from my previous game, created entirely without AI. If you prefer games made without generative AI, please check out my previous release. It's entirely human-made, with deeper mechanics and more systems to explore!
Bloodlines & Banners is designed, architected, and coded by one person. Generative AI is used as a production tool for volume, with portraits, illustration, music, cinematics, voice, and a share of the in-game prose, at a scale a solo developer could not otherwise afford or commission. It is not used to make creative decisions. The art direction is a single locked style anchor authored by hand and enforced across every asset. The game design, the systems architecture, the historical research, the balance, and every line of the server and client are human work. In-game text is a mixed case, and we set that out plainly rather than round it up to “human-written”. We are stating this up front, unprompted, because we would rather a partner evaluate the game knowing exactly what it is than discover it later.
Some promotional artwork for this game (such as the store capsule image) was created with the help of generative AI tools and then edited by hand. All in-game content — 3D models, animations, sound effects, interface and code — was created without generative AI. The game does not use AI during gameplay and does not connect to any external AI service.
AI-Assisted Scripting. AI-assisted in parts of the Art & Visual Assets. AI-Assisted Music & Vocal Production.
The soundtrack was produced with generative AI music tools and then edited, cut and mixed by the developer. Part of the game's text and this store page was written with AI assistance and reviewed line by line by the developer. Everything else - code, interface art, achievement icons, the map and every capsule and screenshot - is hand-made. No content is generated by AI while you play.
Art assets were initially generated using AI image-generation tools, then reviewed, manually edited, and refined by human artists.
AI tools were mainly used to speed up development of the game, not to replace human creativity.
Generative AI was used to create some content, including certain images, music, text and translations, as well as some store and promotional materials. AI-assisted content was created in advance; the game does not generate AI content or connect to external AI services during gameplay.
用于产品的宣传素材制作
Generative AI tools were used during development to create portions of the game's visual artwork, sound effects, music, and localized text, as well as promotional artwork for the Steam store page. This includes pre-rendered background illustrations, promotional capsule images, audio assets, and AI-generated translations.
AI was used for three things only: the first draft of the character models, the two main-menu music tracks, and the game and studio logos. No AI runs while you play. Everything you actually play was designed, built and balanced by the developer: the growing-tagger rule and the charged slap at the heart of the game; 6 game modes; 12 maps that each play by their own rules — a rolling ship, a flooding water tower, an arena that collapses ring by ring, lava that launches you skyward; 10 characters with 10 distinct powers, tuned one by one; bots with three difficulty levels that make the game fully playable solo; 2–10 player online play; a level and shop progression; match photos, match history and replays; and a 15-language localization. The character models were then hand-edited, rigged, height-matched and animated by the developer. The trailer and all screenshots are real gameplay. Sound effects and fonts come from CC0 / open-licensed sources.
Generative AI tools were used to assist in the development of this game.
Artificial intelligence support has been utilized for technical and visual assets.
This game contains some images, videos, audio, text, and 3D assets created using generative AI. Generative AI is not used to generate content or code in real time during gameplay.
The game uses AI assisted localization to make the experience accessible to players in different languages.
Artwork: created with generative AI, pre-rendered, hand-curated and edited. Code and design: 100% human-written, built on a match-3 framework I've developed and shipped five games with since 2012. Runtime: no AI is used while the game is running.
This game uses AI-assisted content created during development: - Some card art and story silhouette assets were created with AI image generation tools - Some background music was created with AI music generation tools The game contains no runtime AI-generated content. All AI-assisted assets have been manually reviewed, selected, and edited.
Generativer Inhalt: Bild, Props
The Art 2d art in the main menu was AI generated through chat gpt.
Some of the images used in the game were created with generative AI tools. However, all questions, answer choices, facts, and other written content were created and edited by humans.
Music was produced with generative AI tools.
Generative AI tools were used in parts of the developer's workflow: some texture source images (such as water splash sprites and certain ground materials) originate from AI image tools, and the dragon character's base mesh was initially created with AI assistance. All of this content was then extensively hand-edited, sculpted, rigged and integrated by the developer. Some music tracks were generated with Suno (licensed under a paid subscription). The world itself, the environment models and the game's art direction are hand-made. The game does not generate any content at runtime.
Some of the pre-made content in this game (such as artwork, audio and/or text) was created with the help of generative AI tools and was reviewed and edited by the developer. No AI content is generated during gameplay.
Generative AI tools were used during development to assist with draft text, localization, concept references, and asset iteration. All final content included in the game has been reviewed and edited by the developer. The game does not generate AI content during gameplay.
Generative AI tools were used during development to create 2D art assets, UI elements, and icons.
We use generative AI for player-facing content: in-game art (sprites, UI, backgrounds) and marketing (Steam capsules, store images). Some store-page translations may also be AI-assisted. We select, review, and place everything ourselves — nothing is generated while the game is running. Gameplay, timing, and controls are designed by us. AI coding tools are used internally only and do not create runtime game content.
Generative AI was used during development to assist with the creation and refinement of some visual assets. All AI-assisted content was selected, reviewed, edited, and integrated by the development team. The game does not use generative AI in real time during gameplay.
Generative AI was used during development to create certain pre-generated visual assets and character textures included in the game, as well as to assist with translation into certain languages (French, German, and Spanish). These assets are created during development and are integrated into the game; there is no real-time AI content generation during gameplay.
We used AI as a “support tool” in the creation of in-store visuals and certain in-game UI elements. We use AI solely as a support tool. We never leave the entire process to AI for any task.
Some images were created with AI image generation: the crew portraits, loading-screen image, and the current store capsule artwork and logo (commissioned artwork will replace the capsule). The game's code was written with AI coding assistants under the developer's direction; ships, weapons and effects are drawn procedurally by that code. All in-game text is written by the developer.
The main menu music is an AI generated version of an Australian classic. This can be toggled off.
The core gameplay mechanics, 3D models, scene designs, and overall project were developed entirely by us. Generative AI tools were utilized for editing select promotional store page visuals and as assisting coding tools during the development process.
Visual Arts: Generative AI tools were used solely to create early-concept drafts and visual inspiration for certain art assets. All final in-game graphics, UI, and pixel art were manually redesigned, drawn, and polished by human artists. Localization: Generative AI tools were used to assist with the initial translation of supported non-primary languages. While we have conducted basic checks, these translations may still contain errors or awkward phrasing. We warmly welcome community feedback to help us improve localization over time!
Generative AI was used to assist in creating some store promotional images with manual post-compositing. Generative AI was also used to produce part of the 2D assets within the game, and to assist with translation and localization for portions of the game text. All AI-assisted content has been reviewed, edited and refined by our development team.
Generative AI was used to create some visual assets and music for TellioBall. No generative AI is used during gameplay.
Pre-generated generative AI was used in the development of game code, visual assets, character portraits, promotional artwork, and portions of text and localization.
| Title⇅ | Disclosure | Creator⇅ | Src | Reviews⇅ | Added↓ |
|---|---|---|---|---|---|
In My Pants general | Completed in collaboration with Codex | Pnuts_Big | - | Sep 27, 2026 | |
Undercurrent: The Hollow Crown In-game content art | Some icons and character sprites were created with the assistance of generative AI, then edited and refined by hand. The remaining artwork consists of pre-made assets and hand-drawn work. | Seitaku | - | Sep 27, 2026 | |
Advancing Legion In-game content art | Some promotional images on the Steam store are made with artificial intelligence; no artificial intelligence-made art assets are used in the game. | 1029studio | - | Sep 27, 2026 | |
すずちな水族館 / Suzuchina Aquarium In-game content artaudiotext | ・Some of the posters were created using generative AI (ChatGPT and Gemini).
・Some of the voices were created using generative AI (Ondoku).
・The translations were created using generative AI (Gemini). | SuzuchinaGames | - | Sep 27, 2026 | |
Spirits: Wake Up! Store/marketing art | A handful of key art pieces, concept illustrations, and store-page graphics were generated with AI image-generation software to help communicate. This use of AI is limited strictly to marketing materials. | DodoModo | - | Sep 27, 2026 | |
Debt & Daylight In-game content artcodeaudio | AI was used for assets, code and some sounds | Nextgenrun games | - | Sep 27, 2026 | |
Necrolord In-game content art | Generative AI was used as a supporting tool for selected elements of the artwork. Most elements were extensively modified and adapted through substantial hands-on work, including repainting, rigging, and animation. | Daniel Nasseh | - | Sep 27, 2026 | |
Rosalia: Match-3 Puzzle In-game content arttextaudiocode | AI tools were used in the creation of every part of this game, including art, text, localization, audio and code. | Frostbyte Forge | - | Sep 27, 2026 | |
Fish Wrangler In-game content arttext | Some in-game artwork, such as fish, poles and quest art, is made with the help of AI image tools, then selected and edited by our team. Some forum replies from in-game characters are AI-assisted and reviewed before they are posted. Nothing is generated live during gameplay. | Fish Wrangler, Inc. | - | Sep 27, 2026 | |
Tarpit Dev only code | Generated AI content was only used partly in the codebase logic development of Tarpit. | Koivu Games | - | Sep 27, 2026 | |
プロやきゅう好きやねん!-ボールパーク・チャンピオンズ- プロ野球チーム経営シミュレーション In-game content art | This game uses generative AI tools for the creation of its in-game graphics. | BallparkChamps | - | Sep 27, 2026 | |
那回不去青涩时光 In-game content art | Some character art was created with the assistance of AI | pp工作室 | - | Sep 27, 2026 | |
多子多福:修仙界亿代同堂 In-game content artcode | 部分代码和美术使用了AI生成,并精修过 | 吸怪 | - | Sep 27, 2026 | |
NECROFESTMASSACRE Unclear codetext | code and translation. | Crush-vAdin | - | Sep 27, 2026 | |
Everything You Need In-game content artaudio | I'm a solo developer, not an artist or musician. So I used AI to help create some of the artwork and music for this game. Everything else (code, game system, UI design, mission design, story planning, and overall creative direction) is entirely my own work. I also reused some hand-drawn pixel art from my previous game, created entirely without AI. If you prefer games made without generative AI, please check out my previous release. It's entirely human-made, with deeper mechanics and more systems to explore! | Raymond Williams | - | Sep 27, 2026 | |
Bloodlines & Banners In-game content artaudiotext | Bloodlines & Banners is designed, architected, and coded by one person. Generative AI is used as a production tool for volume, with portraits, illustration, music, cinematics, voice, and a share of the in-game prose, at a scale a solo developer could not otherwise afford or commission. It is not used to make creative decisions. The art direction is a single locked style anchor authored by hand and enforced across every asset. The game design, the systems architecture, the historical research, the balance, and every line of the server and client are human work. In-game text is a mixed case, and we set that out plainly rather than round it up to “human-written”. We are stating this up front, unprompted, because we would rather a partner evaluate the game knowing exactly what it is than discover it later. | Synprax Labs | - | Sep 27, 2026 | |
Court of Lies art | Some promotional artwork for this game (such as the store capsule image)
was created with the help of generative AI tools and then edited by hand.
All in-game content — 3D models, animations, sound effects, interface and
code — was created without generative AI. The game does not use AI during
gameplay and does not connect to any external AI service. | TAMGA Games | - | Sep 27, 2026 | |
Nothing But Cats In-game content artaudio | AI-Assisted Scripting.
AI-assisted in parts of the Art & Visual Assets.
AI-Assisted Music & Vocal Production. | Actual indie game | - | Sep 27, 2026 | |
Second Source In-game content audiotext | The soundtrack was produced with generative AI music tools and then edited, cut and mixed by the developer. Part of the game's text and this store page was written with AI assistance and reviewed line by line by the developer. Everything else - code, interface art, achievement icons, the map and every capsule and screenshot - is hand-made. No content is generated by AI while you play. | Pablo Marcelo Riestra | - | Sep 27, 2026 | |
The Rotting Corridor In-game content art | Art assets were initially generated using AI image-generation tools, then reviewed, manually edited, and refined by human artists. | NimbusCode Studio | - | Sep 27, 2026 | |
Instructions for Gary Dev only | AI tools were mainly used to speed up development of the game, not to replace human creativity. | Slade | - | Sep 27, 2026 | |
Steel & Fortune In-game content artaudiotext | Generative AI was used to create some content, including certain images, music, text and translations, as well as some store and promotional materials. AI-assisted content was created in advance; the game does not generate AI content or connect to external AI services during gameplay. | jaemsgames | - | Sep 27, 2026 | |
君临天下之风云传奇 Store/marketing art | 用于产品的宣传素材制作 | 君临天下之风云传奇 | - | Sep 27, 2026 | |
水球啪啦 In-game content artaudiotext | Generative AI tools were used during development to create portions of the game's visual artwork, sound effects, music, and localized text, as well as promotional artwork for the Steam store page. This includes pre-rendered background illustrations, promotional capsule images, audio assets, and AI-generated translations. | 蛋生遊戲(eggdiygames) | - | Sep 27, 2026 | |
MEGA TAG PANIC In-game content artaudiotext | AI was used for three things only: the first draft of the character models, the two main-menu music tracks, and the game and studio logos. No AI runs while you play.
Everything you actually play was designed, built and balanced by the developer: the growing-tagger rule and the charged slap at the heart of the game; 6 game modes; 12 maps that each play by their own rules — a rolling ship, a flooding water tower, an arena that collapses ring by ring, lava that launches you skyward; 10 characters with 10 distinct powers, tuned one by one; bots with three difficulty levels that make the game fully playable solo; 2–10 player online play; a level and shop progression; match photos, match history and replays; and a 15-language localization. The character models were then hand-edited, rigged, height-matched and animated by the developer. The trailer and all screenshots are real gameplay. Sound effects and fonts come from CC0 / open-licensed sources. | Big Dot Games | - | Sep 27, 2026 | |
Sheep Go! Unclear | Generative AI tools were used to assist in the development of this game. | Rush Bunnies Games | - | Sep 27, 2026 | |
Kamira In-game content art | Artificial intelligence support has been utilized for technical and visual assets. | Daymark Studio | - | Sep 27, 2026 | |
チョーリーを探せ! In-game content artaudiotextcode | This game contains some images, videos, audio, text, and 3D assets created using generative AI. Generative AI is not used to generate content or code in real time during gameplay. | wasshon | - | Sep 27, 2026 | |
Trox The Reversal In-game content text | The game uses AI assisted localization to make the experience accessible to players in different languages. | TROJAN PRODUCTIONS PRIVATE LIMITED | - | Sep 27, 2026 | |
Skulls and Sweets In-game content art | Artwork: created with generative AI, pre-rendered, hand-curated and edited.
Code and design: 100% human-written, built on a match-3 framework I've developed and shipped five games with since 2012.
Runtime: no AI is used while the game is running. | DOOM METAL GAMES | - | Sep 27, 2026 | |
云歌江湖 In-game content artaudio | This game uses AI-assisted content created during development:
- Some card art and story silhouette assets were created with AI image generation tools
- Some background music was created with AI music generation tools
The game contains no runtime AI-generated content. All AI-assisted assets have been manually reviewed, selected, and edited. | 云歌与李 | - | Sep 27, 2026 | |
phpFarm In-game content art | Generativer Inhalt: Bild, Props | Rhou | - | Sep 27, 2026 | |
The Anomalarian In-game content art | The Art 2d art in the main menu was AI generated through chat gpt. | Sion Kruger | - | Sep 27, 2026 | |
MEMOLOGY: CHINESE MEMES In-game content art | Some of the images used in the game were created with generative AI tools. However, all questions, answer choices, facts, and other written content were created and edited by humans. | Piece Of Voxel | - | Sep 27, 2026 | |
Puzzle Simulator In-game content audio | Music was produced with generative AI tools. | Bubble Games | - | Sep 27, 2026 | |
Dragonwynde In-game content artaudio | Generative AI tools were used in parts of the developer's workflow: some texture source images (such as water splash sprites and certain ground materials) originate from AI image tools, and the dragon character's base mesh was initially created with AI assistance. All of this content was then extensively hand-edited, sculpted, rigged and integrated by the developer. Some music tracks were generated with Suno (licensed under a paid subscription). The world itself, the environment models and the game's art direction are hand-made. The game does not generate any content at runtime. | Ikihonka Studios | - | Sep 27, 2026 | |
Play and Learn: German In-game content artaudiotext | Some of the pre-made content in this game (such as artwork, audio and/or text) was created with the help of generative AI tools and was reviewed and edited by the developer. No AI content is generated during gameplay. | Recep Cinet | - | Sep 27, 2026 | |
重建避难所 In-game content textart | Generative AI tools were used during development to assist with draft text, localization, concept references, and asset iteration. All final content included in the game has been reviewed and edited by the developer. The game does not generate AI content during gameplay. | JAM Game Studio | - | Sep 27, 2026 | |
种啥长啥:这个农场不太对 In-game content art | Generative AI tools were used during development to create 2D art assets, UI elements, and icons. | Odd Sprout Studio | - | Sep 27, 2026 | |
One Button Sports In-game content arttextcode | We use generative AI for player-facing content: in-game art (sprites, UI, backgrounds) and marketing (Steam capsules, store images). Some store-page translations may also be AI-assisted. We select, review, and place everything ourselves — nothing is generated while the game is running. Gameplay, timing, and controls are designed by us. AI coding tools are used internally only and do not create runtime game content. | Pixelated Games | - | Sep 27, 2026 | |
The Mayor’s Hand In-game content art | Generative AI was used during development to assist with the creation and refinement of some visual assets. All AI-assisted content was selected, reviewed, edited, and integrated by the development team. The game does not use generative AI in real time during gameplay. | JustCodeIt | - | Sep 27, 2026 | |
Poop Killer - The Golden Fart In-game content arttext | Generative AI was used during development to create certain pre-generated visual assets and character textures included in the game, as well as to assist with translation into certain languages (French, German, and Spanish). These assets are created during development and are integrated into the game; there is no real-time AI content generation during gameplay. | 616 GAMES | - | Sep 27, 2026 | |
Football Academy Simulator In-game content art | We used AI as a “support tool” in the creation of in-store visuals and certain in-game UI elements. We use AI solely as a support tool. We never leave the entire process to AI for any task. | Kiki Games | - | Sep 27, 2026 | |
Terminal Swarm In-game content artcode | Some images were created with AI image generation: the crew portraits, loading-screen image, and the current store capsule artwork and logo (commissioned artwork will replace the capsule). The game's code was written with AI coding assistants under the developer's direction; ships, weapons and effects are drawn procedurally by that code. All in-game text is written by the developer. | Umpfelgrumpf Studio | - | Sep 27, 2026 | |
Marco, Polo, SHOTGUN! In-game content audio | The main menu music is an AI generated version of an Australian classic. This can be toggled off. | Red Dave | - | Sep 27, 2026 | |
The Fallen Grid Store/marketing artcode | The core gameplay mechanics, 3D models, scene designs, and overall project were developed entirely by us. Generative AI tools were utilized for editing select promotional store page visuals and as assisting coding tools during the development process. | KPCDigital | - | Sep 27, 2026 | |
潮汐日记 In-game content arttext | Visual Arts: Generative AI tools were used solely to create early-concept drafts and visual inspiration for certain art assets. All final in-game graphics, UI, and pixel art were manually redesigned, drawn, and polished by human artists.
Localization: Generative AI tools were used to assist with the initial translation of supported non-primary languages. While we have conducted basic checks, these translations may still contain errors or awkward phrasing. We warmly welcome community feedback to help us improve localization over time! | XIBINGOU | - | Sep 27, 2026 | |
Toast Cat: Scratch & Win In-game content arttext | Generative AI was used to assist in creating some store promotional images with manual post-compositing. Generative AI was also used to produce part of the 2D assets within the game, and to assist with translation and localization for portions of the game text. All AI-assisted content has been reviewed, edited and refined by our development team. | ToastCat Games | - | Sep 27, 2026 | |
TellioBall In-game content artaudio | Generative AI was used to create some visual assets and music for TellioBall. No generative AI is used during gameplay. | Mehmet Emin Tellioglu | - | Sep 27, 2026 | |
Thirst or Bust In-game content artcodetext | Pre-generated generative AI was used in the development of game code, visual assets, character portraits, promotional artwork, and portions of text and localization. | XiaoFei | - | Sep 27, 2026 |