Generative AI was occasionally used as a translation aid. All final text was reviewed and edited by the developer.
- Creator
- Last Cup Studio
- Reviews
- -
- Added
- Aug 2, 2026
Public Steam disclosure research 26,937 disclosures tracked
Search developers’ Steam disclosures, compare classified AI use across games, and follow recorded changes. This index adds cross-game classifications and statistics to statements published on individual store pages.
Code help, debugging and other development work.
Capsule art, trailers and promotional material.
Pre-made art, audio, writing and other game assets.
Interactive or runtime AI features disclosed by the developer.
Groups reflect automatic analysis of public disclosures; mature records are excluded. These counts do not measure AI use across all of Steam. Missing or unclear statements cannot establish whether a game uses AI.
Generative AI was occasionally used as a translation aid. All final text was reviewed and edited by the developer.
Generative AI was used to assist with the creation of some visual content.
Portions of the game's artwork and promotional graphics were created with the assistance of generative AI and then reviewed, edited, and integrated by the developer. No live AI-generated content is produced during gameplay.
Pre-generated AI tools were used as part of the development workflow for selected visual and audio source materials. These materials were subsequently edited, refined, animated, and integrated by the developer. The game does not generate AI content during gameplay.
AI has been used to help code and shape the games content including Codex and Claude code. A premium Suno account was used to create music for the game. Codex was used to help generate art and in-game assets. All lore, scripting, and general architecture was hand crafted by the author of the game.
Some of Pick Playground's development was assisted by generative AI tools, including parts of the code and some of the art. Everything in the game was reviewed and finalized by the developer.
Some icons were generated using AI.
The game’s store page uses some AI-generated artwork, but the game itself does not contain any AI-generated images.
Pre-generated content. Character portraits, spell and keyword icons, and store artwork were produced using AI image generation tools, then selected, edited and assembled by the developer. Some in-game text was drafted with AI assistance and edited by the developer. Music and sound effects are licensed from human creators. No content is generated live while the game is running.
Generative AI tools were used during development to assist with the creation of certain visual assets, 3D assets, textures, localization text, and other pre-generated content included with the product. All such content has been manually reviewed, selected, and edited by the developer to ensure quality and to avoid illegal, infringing, or impersonating content.
This game's store page images, including promotional artwork, were created with the assistance of generative AI tools
generative ai was used in the the building of this game, it was used for code and some of the artwork assets
Some images are maded with AI
Some in-game backgrounds and icons, as well as icons in the game preview thumbnails.
StorySmith uses generative AI to write its stories live as you and your Twitch chat make choices. The AI model runs locally on your machine by default, with an optional bring-your-own-key cloud option — so your playthroughs stay private and no two are ever the same.
Some of the in-game text has been translated using AI.
Game code and some sound effects were created using generative AI. All art and music were created by very talented people.
Assistance with interface prototyping; and assistance with localization.
Generative AI was used during development as a supporting tool to create secondary assets and assist with text revision. All AI-generated content was manually reviewed, edited, and integrated into the game engine to ensure the project's visual and gameplay consistency.
AI-assisted tools were used during development to help produce some 2D art assets (character and enemy artwork, UI icons), sound effects, voice lines, and supporting code. All AI-assisted content was created before release and reviewed by the development team. The game does not generate any content or code in real time during gameplay, and it does not connect to any external AI service while playing.
Header image
Knockout Carnival contains pre-generated AI-assisted artwork used for a limited selection of character icons, profile icons, emotes, sprays, and a chest icon. No AI content is generated during gameplay.
This game uses AI-generated audio content, including some music, sound, and voice elements.
As a solo developer, I use generative image AI to assist in creating Called Shot's 2D artwork — specifically the card illustrations and the store page key art (capsule images). No content is generated by AI in real time during gameplay. All AI-assisted art is created in advance during development, then reviewed and revised before being included in the game. The in-game 3D models and environment art are not AI-generated.
Certain visual assets in the game are created with the assistance of generative artificial intelligence tools. These assets are reviewed, edited, and integrated by the developers to ensure they meet quality standards and remain consistent with the overall artistic direction of the game.
Artificial intelligence was used to create certain user interface elements and to modify the Steam capsule. Although the background of the Steam capsule comes directly from the game, the image was modified using artificial intelligence.
The store page and in-game localized text have been translated using AI.
The background art and writing in this game was generated by carefully directing AI.
Some of the art assets in Battle of Plans were produced with AI-assisted tools. Specifically, a number of 3D props (weapon models) were created using AI-assisted 3D generation and then manually retopologized, re-textured and integrated by our team, and some promotional/store images were created with AI image tools. Every AI-assisted asset was reviewed by a human before it shipped. Localization into languages other than Turkish and English was produced with machine translation. The game does not generate any content while you play: there is no AI chat, no AI-generated dialogue, and no runtime asset generation. Player chat is written by players and filtered server-side.
Pre-generated generative AI tools were used during development to assist in creating and editing some 2D visual assets, including backgrounds, character images, scene variations, and promotional artwork. AI tools were also used to assist with drafting, editing, and localization of some text. All final content was selected, reviewed, and edited by the developer before inclusion. No generative AI is used during gameplay, and players cannot generate content in the game.
Generative AI was used during the development of Hearthpiece, most visibly for the 50 puzzle images, which were then selected and edited by hand.
Some visual assets (character sprites, portraits, arena backdrops, marketing art) and the music were created with generative AI tools (PixelLab, Midjourney), then curated and edited by me. The game's design, systems and balance are my own. No AI content is generated at runtime.
The game contains content created with the assistance of AI tools. AI-assisted tools were used during development, including programming assistance and the creation of some audio and 3D assets. These assets were reviewed, edited, and integrated into the game by the developers.
AI-assisted tools are becoming part of modern game development, and we believe in being transparent about how we use them. Aviator combines AI-assisted workflows with human creative direction, design, review, and final decision-making throughout development. Some in-game event illustrations and background artwork were created with the help of generative AI tools during development. These are pre-generated assets; the game does not generate AI content during gameplay.
Some of this game's assets were made with the assistance of generative AI tools and were reviewed, curated and hand-finished by the developer. No content is generated while you play.
Some of this game's assets were made with the assistance of generative AI tools and were reviewed, curated and hand-finished by the developer. No content is generated while you play.
Parts of this game's audio and art were produced with generative AI tools and then reviewed, edited and finished by hand before shipping: - Music: the background tracks were generated with an AI music tool (Suno) from our own briefs, then selected, trimmed, loudness-matched and looped by hand. - Sound effects: part of the SFX layers were generated with an AI audio tool (ElevenLabs) and combined with locally synthesised layers, then mixed and balanced by hand. - Visual effects and some enemy animation frames were AI-assisted and then corrected frame by frame against our approved art direction. - The marketing key art used for the store capsules and library artwork was generated with an AI image tool, using our own approved character art and real in-game screenshots as references. The trailer narration voice is AI-generated. No generative AI runs while you play: nothing is generated at runtime, and the game never sends your data to an AI service. All game design, code, Chinese text, card and character data, the decomposition data behind the composing system, the interface and the calligraphy fonts are human-authored. Every screenshot and all gameplay footage is captured from the real build.
1. Game Logo (Marketing / Store Page Asset) The game's logo was created using generative AI tools. This logo appears on the store page, marketing materials, and within the game itself 2. Player Battle Armor Voice (In-Game Audio) The player's battle armor uses voice samples generated using the ElevenLabs AI voice synthesis platform. This voice is heard in-game when the player receives feedback from the armor system (e.g., status alerts, warnings, or interactions).
Generative AI was used in this game to assist with the creation of some character voiceovers and in the coding process. The game's visual and narrative design were created by our team.
Some store/library marketing art and some in-game art assets (character portraits, backgrounds, item icons and UI elements) were created with the assistance of AI image generation tools, followed by manual editing and integration by the developer. We have rights to use the generated images and they do not infringe third-party IP.
The 2D art, character design, and character modeling in the game all contain AI-generated content.
Used to assist with the codebase that runs this game.
The promotional pictures for the store were generated by AI, while there is no AI-generated content within the game.
Nothing in GREATER FOOL is generated while you play. Every run is deterministic code with seeded randomness, all music and sound is synthesized live by the game itself, and no art comes from an image generator: the pixel art, the icons, and the store images are drawn in code, shape by shape. AI assistance was used while drafting some of the game's written text, which I edited and rewrote to fit the voice of the game.
Generative AI technology is used in a supplementary capacity during the creation of some user interface assets. Any such assets are replaced through our production pipeline by our art and development teams, ensuring they meet our quality standards and creative direction.
AI tools were used to assist with writing and localizing store page text and some in-game text, and as a coding assistant during development. Store page marketing assets, images and the background music in the trailer were generated with AI tools and then reviewed and edited by the developer. All game design, mechanics and balance are human-made; all in-game visual art is hand-authored procedural drawing, and the game itself contains no AI-generated audio, music or voice. All AI-assisted content was reviewed and edited by the developer.
AI was used to create character art, splashes, and maps. Includes additional music and codes.
Icons, Background Images
This game uses pre-generated AI only for some decorative static models in scenes, selected UI assets, and promotional artwork, all of which have been manually reviewed by our team. It contains no live-generated AI content; core gameplay and level design are original works of the development team.
Generative AI tools were used to create most of the game’s 2D artwork, including sprites and animations for enemies, the player character, towers, relics, and other gameplay elements, as well as promotional materials. All generated assets were reviewed, edited, refined, and integrated by the developer to maintain a consistent visual direction. All AI-assisted content is pre-generated; no content is generated using AI during gameplay.
| Title⇅ | Disclosure | Creator⇅ | Src | Reviews⇅ | Added↓ |
|---|---|---|---|---|---|
Paint Me Back In-game content text | Generative AI was occasionally used as a translation aid. All final text was reviewed and edited by the developer. | Last Cup Studio | - | Aug 2, 2026 | |
Soul Shine Unclear art | Generative AI was used to assist with the creation of some visual content. | House Of Stupid | - | Aug 2, 2026 | |
PokerCraft: Texas Hold'em In-game content art | Portions of the game's artwork and promotional graphics were created with the assistance of generative AI and then reviewed, edited, and integrated by the developer. No live AI-generated content is produced during gameplay. | YoloX | 15 | Aug 2, 2026 | |
Floors of Fury In-game content artaudio | Pre-generated AI tools were used as part of the development workflow for selected visual and audio source materials. These materials were subsequently edited, refined, animated, and integrated by the developer. The game does not generate AI content during gameplay. | Almost Orbit | - | Aug 2, 2026 | |
The Loomsong Chronicle Idle In-game content artaudiocode | AI has been used to help code and shape the games content including Codex and Claude code. A premium Suno account was used to create music for the game. Codex was used to help generate art and in-game assets. All lore, scripting, and general architecture was hand crafted by the author of the game. | Nitrocodon Dynamics | - | Aug 2, 2026 | |
Pick Playground In-game content artcode | Some of Pick Playground's development was assisted by generative AI tools, including parts of the code and some of the art. Everything in the game was reviewed and finalized by the developer. | Nathan Young | - | Aug 2, 2026 | |
A Volta Dos Que Não Foram In-game content art | Some icons were generated using AI. | Dellamarque Productions | - | Aug 2, 2026 | |
无限数字工厂 Store/marketing art | The game’s store page uses some AI-generated artwork, but the game itself does not contain any AI-generated images. | Starchase Games | - | Aug 2, 2026 | |
BIS In-game content arttext | Pre-generated content. Character portraits, spell and keyword icons, and store artwork were produced using AI image generation tools, then selected, edited and assembled by the developer. Some in-game text was drafted with AI assistance and edited by the developer. Music and sound effects are licensed from human creators. No content is generated live while the game is running. | Sward Solutions AB | - | Aug 2, 2026 | |
DeskFamiliar In-game content arttext | Generative AI tools were used during development to assist with the creation of certain visual assets, 3D assets, textures, localization text, and other pre-generated content included with the product. All such content has been manually reviewed, selected, and edited by the developer to ensure quality and to avoid illegal, infringing, or impersonating content. | LinxTech | - | Aug 2, 2026 | |
幻想序章:Genesis Store/marketing art | This game's store page images, including promotional artwork, were created with the assistance of generative AI tools | LIU CHENLONG | - | Aug 2, 2026 | |
Plonkers - totally bonkers plinko In-game content artcode | generative ai was used in the the building of this game, it was used for code and some of the artwork assets | CardSharkGames | - | Aug 2, 2026 | |
Fame & Fear: Dungeon Architect Unclear art | Some images are maded with AI | Wasdlab | - | Aug 2, 2026 | |
敵国工場への潜入 In-game content art | Some in-game backgrounds and icons, as well as icons in the game preview thumbnails. | Asaruto | - | Aug 2, 2026 | |
StorySmith Live AI text | StorySmith uses generative AI to write its stories live as you and your Twitch chat make choices. The AI model runs locally on your machine by default, with an optional bring-your-own-key cloud option — so your playthroughs stay private and no two are ever the same. | BigD Games | - | Aug 2, 2026 | |
Gyakuten Seven VR In-game content text | Some of the in-game text has been translated using AI. | Gyakuten Games | - | Aug 2, 2026 | |
Schizm In-game content codeaudio | Game code and some sound effects were created using generative AI. All art and music were created by very talented people. | Strombo Games | - | Aug 2, 2026 | |
TappyCat In-game content text | Assistance with interface prototyping; and assistance with localization. | qs2k | - | Aug 2, 2026 | |
Princess Vs Zombies: Mermaid Curse In-game content arttext | Generative AI was used during development as a supporting tool to create secondary assets and assist with text revision. All AI-generated content was manually reviewed, edited, and integrated into the game engine to ensure the project's visual and gameplay consistency. | Mermie Studio | - | Aug 2, 2026 | |
Unburied In-game content artaudiocode | AI-assisted tools were used during development to help produce some 2D art assets (character and enemy artwork, UI icons), sound effects, voice lines, and supporting code. All AI-assisted content was created before release and reviewed by the development team. The game does not generate any content or code in real time during gameplay, and it does not connect to any external AI service while playing. | Far Anchor | - | Aug 2, 2026 | |
Wild West Poker Store/marketing art | Header image | Day Zero Studio | - | Aug 2, 2026 | |
Knockout Carnival In-game content art | Knockout Carnival contains pre-generated AI-assisted artwork used for a limited selection of character icons, profile icons, emotes, sprays, and a chest icon. No AI content is generated during gameplay. | StrikezoneLabs | - | Aug 2, 2026 | |
Prospector Collector In-game content audio | This game uses AI-generated audio content, including some music, sound, and voice elements. | Kevuru Games | - | Aug 2, 2026 | |
Called Shot In-game content art | As a solo developer, I use generative image AI to assist in creating Called Shot's 2D artwork — specifically the card illustrations and the store page key art (capsule images). No content is generated by AI in real time during gameplay. All AI-assisted art is created in advance during development, then reviewed and revised before being included in the game. The in-game 3D models and environment art are not AI-generated. | SIMYA Softworks | - | Aug 2, 2026 | |
Speedway Club Manager 26 In-game content art | Certain visual assets in the game are created with the assistance of generative artificial intelligence tools. These assets are reviewed, edited, and integrated by the developers to ensure they meet quality standards and remain consistent with the overall artistic direction of the game. | Marcin Dopierała | 31 | Aug 2, 2026 | |
Grainhold Store/marketing art | Artificial intelligence was used to create certain user interface elements and to modify the Steam capsule. Although the background of the Steam capsule comes directly from the game, the image was modified using artificial intelligence. | CreakGames | - | Aug 2, 2026 | |
RutMaker In-game content text | The store page and in-game localized text have been translated using AI. | 雷都打不醒 | - | Aug 2, 2026 | |
Just boring In-game content arttext | The background art and writing in this game was generated by carefully directing AI. | Robots Have Feelings | - | Aug 1, 2026 | |
Battle Of Plans In-game content arttext | Some of the art assets in Battle of Plans were produced with AI-assisted
tools. Specifically, a number of 3D props (weapon models) were created using
AI-assisted 3D generation and then manually retopologized, re-textured and
integrated by our team, and some promotional/store images were created with
AI image tools. Every AI-assisted asset was reviewed by a human before it
shipped.
Localization into languages other than Turkish and English was produced with
machine translation.
The game does not generate any content while you play: there is no AI chat,
no AI-generated dialogue, and no runtime asset generation. Player chat is
written by players and filtered server-side. | Battle Of Plans | - | Aug 1, 2026 | |
The Last Train: End of the Line In-game content arttext | Pre-generated generative AI tools were used during development to assist in creating and editing some 2D visual assets, including backgrounds, character images, scene variations, and promotional artwork. AI tools were also used to assist with drafting, editing, and localization of some text. All final content was selected, reviewed, and edited by the developer before inclusion. No generative AI is used during gameplay, and players cannot generate content in the game. | Ilya Binus | - | Aug 1, 2026 | |
Hearthpiece In-game content art | Generative AI was used during the development of Hearthpiece, most visibly for the 50 puzzle images, which were then selected and edited by hand. | 3dGecko GmbH | - | Aug 1, 2026 | |
Warpack In-game content artaudio | Some visual assets (character sprites, portraits, arena backdrops, marketing art) and the music were created with generative AI tools (PixelLab, Midjourney), then curated and edited by me. The game's design, systems and balance are my own. No AI content is generated at runtime. | N1ghtmare Studios | - | Aug 1, 2026 | |
Gorgeous Baby Bella In-game content audioart | The game contains content created with the assistance of AI tools. AI-assisted tools were used during development, including programming assistance and the creation of some audio and 3D assets. These assets were reviewed, edited, and integrated into the game by the developers. | Nextr Studio | - | Aug 1, 2026 | |
Aviator In-game content art | AI-assisted tools are becoming part of modern game development, and we believe in being transparent about how we use them. Aviator combines AI-assisted workflows with human creative direction, design, review, and final decision-making throughout development. Some in-game event illustrations and background artwork were created with the help of generative AI tools during development. These are pre-generated assets; the game does not generate AI content during gameplay. | Mood for Games | - | Aug 1, 2026 | |
Crownhold In-game content art | Some of this game's assets were made with the assistance of generative AI tools and were reviewed, curated and hand-finished by the developer. No content is generated while you play. | Meridian Studios | - | Aug 1, 2026 | |
Twigs and Firewood In-game content art | Some of this game's assets were made with the assistance of generative AI tools and were reviewed, curated and hand-finished by the developer. No content is generated while you play. | Meridian Studios | - | Aug 1, 2026 | |
天雨粟 In-game content audioart | Parts of this game's audio and art were produced with generative AI tools and then reviewed, edited and finished by hand before shipping:
- Music: the background tracks were generated with an AI music tool (Suno) from our own briefs, then selected, trimmed, loudness-matched and looped by hand.
- Sound effects: part of the SFX layers were generated with an AI audio tool (ElevenLabs) and combined with locally synthesised layers, then mixed and balanced by hand.
- Visual effects and some enemy animation frames were AI-assisted and then corrected frame by frame against our approved art direction.
- The marketing key art used for the store capsules and library artwork was generated with an AI image tool, using our own approved character art and real in-game screenshots as references. The trailer narration voice is AI-generated.
No generative AI runs while you play: nothing is generated at runtime, and the game never sends your data to an AI service.
All game design, code, Chinese text, card and character data, the decomposition data behind the composing system, the interface and the calligraphy fonts are human-authored. Every screenshot and all gameplay footage is captured from the real build. | 犬次郎 | - | Aug 1, 2026 | |
The Jacksaw Rift War In-game content artaudio | 1. Game Logo (Marketing / Store Page Asset)
The game's logo was created using generative AI tools. This logo appears on the store page, marketing materials, and within the game itself
2. Player Battle Armor Voice (In-Game Audio)
The player's battle armor uses voice samples generated using the ElevenLabs AI voice synthesis platform. This voice is heard in-game when the player receives feedback from the armor system (e.g., status alerts, warnings, or interactions). | Samuel Botha | - | Aug 1, 2026 | |
Bloody Pineapple In-game content audiocode | Generative AI was used in this game to assist with the creation of some character voiceovers and in the coding process. The game's visual and narrative design were created by our team. | Exodeep Studio | - | Aug 1, 2026 | |
Questmonger In-game content art | Some store/library marketing art and some in-game art assets (character portraits, backgrounds, item icons and UI elements) were created with the assistance of AI image generation tools, followed by manual editing and integration by the developer. We have rights to use the generated images and they do not infringe third-party IP. | The Big Studio | - | Aug 1, 2026 | |
景杉传 In-game content art | The 2D art, character design, and character modeling in the game all contain AI-generated content. | 温火工作室 | - | Aug 1, 2026 | |
Slimeshot Dev only code | Used to assist with the codebase that runs this game. | devoidsloth | - | Aug 1, 2026 | |
Wasteland Future Store/marketing art | The promotional pictures for the store were generated by AI, while there is no AI-generated content within the game. | 1029studio | - | Aug 1, 2026 | |
Greater Fool In-game content text | Nothing in GREATER FOOL is generated while you play. Every run is
deterministic code with seeded randomness, all music and sound is
synthesized live by the game itself, and no art comes from an image
generator: the pixel art, the icons, and the store images are drawn
in code, shape by shape.
AI assistance was used while drafting some of the game's written text,
which I edited and rewrote to fit the voice of the game. | Frog Labs LLC | - | Aug 1, 2026 | |
ESCAPE FROM TOUHOU In-game content art | Generative AI technology is used in a supplementary capacity during the creation of some user interface assets.
Any such assets are replaced through our production pipeline by our art and development teams, ensuring they meet our quality standards and creative direction. | FIVE DUCK GAMES | - | Aug 1, 2026 | |
Minesweeper Inc. In-game content textartaudio | AI tools were used to assist with writing and localizing store page text and some in-game text, and as a coding assistant during development. Store page marketing assets, images and the background music in the trailer were generated with AI tools and then reviewed and edited by the developer. All game design, mechanics and balance are human-made; all in-game visual art is hand-authored procedural drawing, and the game itself contains no AI-generated audio, music or voice. All AI-assisted content was reviewed and edited by the developer. | Hazard Lights Games | - | Aug 1, 2026 | |
Ascend Pixel Dungeon In-game content artaudiocode | AI was used to create character art, splashes, and maps. Includes additional music and codes. | Heaven's door | - | Aug 1, 2026 | |
KN Tower Unclear art | Icons, Background Images | Kricom Network | 19 | Aug 1, 2026 | |
Rolling Free In-game content art | This game uses pre-generated AI only for some decorative static models in scenes, selected UI assets, and promotional artwork, all of which have been manually reviewed by our team. It contains no live-generated AI content; core gameplay and level design are original works of the development team. | Comfort Zone Game | - | Aug 1, 2026 | |
KingdomTD: Draft Your Demise In-game content art | Generative AI tools were used to create most of the game’s 2D artwork, including sprites and animations for enemies, the player character, towers, relics, and other gameplay elements, as well as promotional materials.
All generated assets were reviewed, edited, refined, and integrated by the developer to maintain a consistent visual direction.
All AI-assisted content is pre-generated; no content is generated using AI during gameplay. | GreatColtini Industries | - | Aug 1, 2026 |