Where do games disclose AI use?

Pre-generated generative AI was used during development to assist with visual artwork, music, sound effects, spoken audio, narrative and dialogue, and portions of the game code. The developer directed, reviewed, selected, edited, arranged, tested, and integrated the final content. No generative AI content is created while the game is running.

This whole game exists because I wondered whether, with these tools, I could actually make one. Generative AI tools were used to create assets that ship with the game. The 3D ship and enemy models were generated with Meshy AI from my own 2D concept art, and AI tools assisted with in-game text, audio, and parts of the store page and marketing materials. The design, code and balance are mine — the wave generation, the ship and weapon tuning, the modification link-set system, the campaign structure. Seventeen worlds' worth of hand-tuned numbers. I'm a solo developer with a full-time job and three kids. The answer to the question turned out to be yes, and this is it.

Some 3D assets in this game were created with the help of AI generation tools, then edited, retextured and integrated by hand. Parts of the written text, including store page copy and in-game text translations, were drafted with AI assistance and reviewed by the developer. No content is generated live while you play, and no AI-generated voice acting is used. Everything is created and checked before release.

Some in-game graphical elements, such as UI surfaces, sprites and icons were created or modified using generative AI tools.

Deepclaim was made by a solo developer working with an AI coding assistant (Anthropic's Claude). The AI assisted in writing the game's code, which draws all of the game's visuals procedurally at runtime (the game ships with no image files) and synthesizes all of its audio procedurally (no audio files). AI assistance was also used for some in-game text, the Steam store page description, and the store/marketing capsule images. All AI-assisted output was directed, reviewed, and edited by the developer.

This game uses generative AI tools to help create some of its visual assets, such as background art, characters, and the logo. All such assets were generated during development and were reviewed, curated, and hand-adjusted by the developer before being included in the game. No generative AI runs while you play, and no player input or personal data is ever sent to any AI service.

- sound effects - male/female speeches - some UI elements - models (character)

Some assets in this game were created using generative AI tools. The theme song and its stem tracks were generated with Suno and edited by the developer. Some 3D models (the pursuer, corpse and flower props) were generated with Meshy. Some in-game images, such as photographs and posters, were created with image-generation AI. All program code was designed and implemented by the developer, with AI coding assistance. The game contains no live AI-generated content.

This game uses generative AI in the creation of some graphics, text, and English localization. All AI-generated content has been reviewed and edited by the developer before being used. No generative AI content is created during gameplay.

Some of the art and audio assets in this game were created with the assistance of generative AI tools. Specifically, certain 3D models, UI icons, and background music tracks were generated using AI and then reviewed, edited, and integrated by the developer. No AI-generated content is created live during gameplay.

AI-assisted content is created during development, reviewed and hand-curated by the team before it ships; nothing is generated live during gameplay.

AI was used only during early development for temporary placeholder assets. These materials are not intended to be included in the final shipped game. The game does not use live-generated AI content during gameplay.

Some code and marketing content may be generated by AI.

We used AI tools to generate several 2D images and art assets used throughout the game.

AI translation tools were used to produce the localized text for the game. Additionally, initial concept drafts for select visual assets were generated using AI, but were subsequently heavily modified, painted over, and finalized by human artists.

Some of this game's artwork (including store capsules and background art) was created with the help of generative AI image tools. All AI-assisted content was reviewed, edited, and curated by the developer. The game generates no AI content at runtime; opponent behavior uses traditional, hand-authored game logic

This game contains pre-generated AI-assisted visual assets. Specifically, the background HDRI environment texture used for lighting/background purposes was created using generative AI. No live-generated AI content is presented to players during gameplay.

Generative AI Usage - Reference for some backgrounds and CG compositions - Editing and proofreading of some text - Assistance with English and Japanese localization All final content was created, reviewed, and/or revised by the developer.

Some ingame UI and Screenshots are Enhanced by AI

Some Assets may be produced with the help of AI

Operation: Horumus is a "vibe coding" experiment. Most of the game's content — code, game design, pixel art, sound effects, procedural music, narrative writing, and all four language localizations (English, Korean, Japanese, Simplified Chinese) — was developed with extensive use of generative AI tools, under the developer's direction. Every creative and technical decision was made by the developer, and all AI-generated output was reviewed and curated before inclusion. No AI is invoked during gameplay. The game runs entirely offline and makes no calls to external AI services. This is a parody experiment, and the use of AI is part of the experiment itself. We disclose it here so you can decide whether that approach is interesting to you.

Portions of this game's artwork were created with generative AI tools under human direction, curation, and editing — including aircraft counter sprites, scene illustrations, character portraits, achievement icons, and some store/marketing images. The store trailer's narration is AI-generated voiceover. Some code was developed with AI assistance and human review. The game does not generate any content with AI while running.

No AI-generated images and I made all the music by hand. Some text may be translated with AI.

GnollHack includes Gnoll Overseer, an optional AI assistant that uses third-party generative AI models to answer players’ questions in a text chat. Players can ask about game mechanics or request help with their current game situation, which is shared with the AI as context only when they use the feature. Overseer only produces chat replies: it cannot take actions in the game or generate images, audio, or other in-game content. Its instructions restrict it to GnollHack topics, and it uses strict system guardrails and the AI providers’ safety filters to prevent harmful, offensive, or illegal responses.

only game image

Some in-game text and store page copy was drafted with an AI assistant and edited by the developer. No generative AI runs in the game or generates content at runtime. All artwork is programmatically composited from photographs taken by the developer.

AI was used to assist with localization and some written text. All art, animation, music, sound effects, and level design were created entirely by me. All AI-assisted content was reviewed and edited by me, and several translations were additionally checked by native speakers. The game does not generate AI content during gameplay and does not connect to any external AI services.

Generative AI was used to create initial concept art, background environment artwork, and promotional marketing materials for the Steam Store page. All generated assets were subsequently refined, edited, and formatted by the developer before final implementation into the project

Generative AI tools were used as an editorial and localization assistant for some written content in the game and on the Steam store page. All such text is reviewed, revised, and approved by the development team. The game does not use generative AI at runtime.

This game uses generative artificial intelligence in part to improve development efficiency. It is primarily utilized to assist with programming implementation and development tasks, as well as for generating BGM melodies and assisting in the creation of in-game messages. However, all final decisions regarding game specifications and quality control are made by the developer, and only AI-generated content that has been reviewed and adjusted by human hands is used.

The Hero Capsule and main logo was created using AI tools only. The other assets of the game were not created using AI tools.

Pre-rendered content: 2D artwork (character sprites, backgrounds, marketing art) and music were created with the assistance of generative AI tools, then manually curated, edited and composited by the developer. The game does not generate any content at runtime (no live AI).

Coding

Parts of this game's source code and in-game text were produced with the assistance of generative AI tools during development. The planet itself is not AI-generated. It is built by conventional deterministic algorithms : noise functions, Voronoi tessellation, plate tectonics, erosion and climate simulation (the same family of techniques used in procedural generation for decades. Every world is reproducible from its seed). No AI runs while you play, and the game never connects to an external AI service.

Generative AI tools were used to create part of this game's visual assets: 2D unit and building sprites, terrain textures, background art, and 3D models. Some store page and marketing images were created the same way. Every generated asset was selected, edited and assembled by hand, and the game generates no content at runtime.

This game uses pre-generated AI content created during development. All in-game pixel art (characters, monsters, items, terrain, props, effects, and interface) was drawn pixel by pixel by AI coding and writing agents placing pixels under our direction, not by image-generation models, with boss and named-monster designs referencing AI-generated concept images. All large illustrations (the title screens, studio splash card, character-selection portraits, prayer and covenant cut-ins, god portraits, tarot card backs, companion portraits, endings, and credits scenes) and the game's app icon were generated with an AI image model and fitted to the pixel grid and palette by our tools and AI agents. The animated title backgrounds get their motion from AI video generation, and the optional intro video on the title menu is an AI-generated video. All background music was generated with an AI music tool, every sound-effect file and monster cry was generated with an AI sound-effect tool, and remaining sounds are synthesized by code that AI wrote, with no voice acting and no AI voice in the game. Most in-game text was written or drafted by AI, the English, Simplified Chinese, and Japanese translations were done by AI, and most of the game's code was written by AI coding agents that we directed and reviewed. Capsule and key art were made from AI-generated title art, event artwork and most achievement icons come from AI-generated art, store text, event announcements, and patch notes were drafted with AI, and the store trailer features real gameplay footage with AI-generated music and an AI voice narration reading an AI-written script. Plants Game set the direction, chose among candidates, gave feedback, approved every result, and playtested the game, while AI agents and scripts did much of the generation, cleanup, and selection work. Nothing is generated by AI while you play, and the game does not connect to any AI service.

The use of AI in the game is temporary: logo, cover art, icons, music... Everything is being developed with professionals without the use of AI.

Some image assets (such as the apparitions and the hanging scroll artwork) and some audio assets (music and sound effects) in this game were created using generative AI. All generated material was selected and edited by the developer before use, and only models licensed for commercial use were used. No generative AI runs while you play. Everything shipped in the game is pre-generated and fixed, and the game never sends your input to an AI service.

Some assets are AI generated Used AI to troubleshoot code and to translate.

Some visual art assets and music used in this game were created with the assistance of generative AI tools. These materials are used as part of the game's visual presentation and soundtrack. No content is generated by AI during gameplay.

AI was used to generate graphical assets.

This game utilized AI in the writing of some of the game code scripts.

Some models and textures in the game are AI generated to save resources as a solo developer.

The only Ai Artwork used are for the cardboard cut out characters. All the Paintings in the game are my own Oil Paintings.

Some code elements and visual assets in Curse of the Ancient Grimoire were created or refined with the assistance of generative AI tools, including character portraits, monster images, scene illustrations, and store capsule artwork. All AI-assisted assets were reviewed, selected, edited, and integrated by the developer. Generative AI is not used during gameplay to create dynamic content, dialogue, player-facing text, decisions, or game mechanics. Generative AI is not used during gameplay to create dynamic content, dialogue, player-facing text, decisions, or game mechanics.

Some BGM are AI-generated. Additionally, some textures were AI-generated based on human designs and fully refined by hand. AI tools were also used for translation and general development assistance.

This game uses generative artificial intelligence in its development. Some visual assets — including character sprites, unit artwork, and related game graphics — were created or assisted with generative AI tools and then integrated into the game. AI was also used during development to assist with programming and production workflows. Generative AI is not used to create content live during gameplay. The game does not connect to external AI services while you are playing.

Story based artwork

Some visual assets and music in Buzzoria were created with the assistance of generative AI tools.

All 2D artwork (hwatu card illustrations, character portraits, backgrounds) and music tracks were created using generative AI tools, then curated, edited, and assembled by the developer. All AI content is pre-rendered during development — nothing is generated live at runtime. Localization was machine-assisted and human-reviewed. Store page assets were produced the same way.