Dead Week

No content is generated during gameplay. Visuals, voice lines, some SFX and scene drafts are made with generative tools, then reviewed for hours under the developer’s art direction and voice casting. Music is made exclusively by human composers. The story is built on a human-created lore, canon and novel. From there, the writing grows into two original versions, French and English. They can differ, because each language carries its own tone and context for me, the author. Sometimes the French scene is my original and allows me to be more poetic; sometimes the English one is. English is the more reviewed version. It is impossible for me to give you a rule about when I translated from one to the other and when I wrote a new original version. Some scenes still need a lot more work on tone, feeling and purpose before I would call them final. You will see this during Early Access, until the game is complete and my work is done. Editing is the main reason for Early Access: more than 600,000 words are written in each language. As an artist, I love writing and shaping Deborah Walker's story and I serve the vision that owns me. But if you want to know more, I also took the time to describe how current times are transforming our craft, a view still evolving, on our website.